Friday, February 22, 2008

Resurrected: Carnaval 101 (O Chefao)

For an entire week, a city of well over 2 million stops. Droves of people from Salvador, the state of Bahia, and all throughout Brazil flock to the city's center ready to party and/or profit off of the festivities. It is nothing like Rio de Janeiro or Sao Paulo, known for their famous parading Samba schools. Carnaval in Salvador is an entirely participatory event. It is a popular music fest, a true seven day street party that brings in all Bahia's most popular performers. It is really something that cannot be described by words - but what kind of blogger would I be if I didn't atleast try.

Just to try and give my American audience a more informed perspective, lets imagine that due to odd historical circumstances and cultural machinations, Carnaval was actually an American phenomenon, and imagine it centered in Atlanta. And lets just say that instead of Axe (Bahian pop music), samba reggae, and other Brazilian music, Atlanta's Carnaval was all about rap from the dirty south (Carnaval here is a celebration of local, homegrown music). What you would end up with is seven days of non-stop musical parades, known in Brazil as folias. Twenty or so trucks rigged with incredibly enormous speakers would travel slowly down the largest boulevards in the city. And, on top of each truck would be a performer or band. Here in Salvador, these trucks are referred to as trio-electricos. Imagine one truck being dedicated to Outkast, and thirty minutes later he would be followed by Li'l John, and then Three Six Mafia, then Ludacris. Gucci Mane or Young Geezy might roll through later on in the afternoon along with anybody else currently popular.

But this is not just any normal parade. Like I said, Carnaval here is not just a spectator sport. Some people do stay perched above the streets in the buildings that look over the Avenidas on which Carnaval passes. These arrangements are called camarotes, and are mostly limited to bourgeois folks who aren't really down to party in true Brazilian fashion. A lot of people, for a fair, but significant fee, pay to be in blocos. Around every trio-electrico is a designated space roped off for bloco-members, partiers that travel along with the trucks on the street for the entire circuit, which lasts for a couple hours. The blocos are crazy and extremely fun, and after a day or two, exhausting.

For the adventurous tourist, and for those that just don't have the money to spend (the majority of people in Salvador), there is the pipoca. The pipoca is simply the street and consists of everyone else in the city who is enjoying the music, and partying, but just doing so outside of the ropes (and security) of the bloco. Pipoca is fun, but it's also home to a good deal of pickpocketers, can get rowdy (especially in stretches of the road where the Avenidas get narrow), and is kinda tough for girls who aren't accustomed to hordes of men constantly grabbing and trying to makeout with them.

Now,Carnaval is not in Atlanta, so there's no Li'l Jon and the Eastside Boys. The vast majority of the trios carry Axe singers. Axe is nice, but not particularly complex. Fortunately, if you spend a bit of time in Salvador, you hear it all the time and it definitely grows on you. It is percussion heavy and very high energy, and all the performers sing the most successful songs of the past few years, so everyone catches on to the rhythms and lyrics of the popular songs pretty quickly. Fortunately though, there are alternatives to the regular trios. Salvador here has afro-blocos which were created to create and raise African/black consciousness and cultural awareness in the region and bring a totally different feel to the table. They are trios as well but play different types of music and the members of the blocos are usually dressed up particular themes and are accompanied by african drumss, and other performers. There are also blocos that consist entirely of men dressed as wonderwoman, predominately gay blocos, and basically anything else you could think of.

Anyways, this post has been long enough. I just wanted to provide a brief intro to put all of our subsequent Carnaval stories in context. Because of course, the Bahia Boys, being as adventurous as we are, tried out all the aspects of Carnaval; blocos, camarote, and pipoca and had a great time/almost died/are now involved in weird love triangles.

You really don't want to miss the next few posts.

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